AnalogSound Nikolai Kazantsev | SON - 10. 2016
LowBeats H. Biermann Blog | SWING
Image HFfi | Wolf von Langa ‚Son'
High Fidelity.pl | BEST SOUND High End 2015
Fidelity | Norddeutsche HiFi Tage 2015 - Best Sound of Show
Analog Forum | Krefeld 2014
Fidelity | Best of Show | Norddeutsche HiFi Tage 2014
Hifistatement | Norddeutsche HiFi Tage 2014
Audio Activity | Vintage
Hifistatement | Wolf von Langa ‚Black & White' (A100i Feldspulenlautsprecher)
Again we made it!
The 3rd time in succession: 2015 – 2016 – and now also 2017.
The Best of Industry Award 2017 for the Wolf von Langa AUDIO FRAME X loudspeakers
Industriepreis 2017 - BEST OF ELEKTROTECHNIK
We are exhibiting in room 461 at:
Friday 31.3. 2017 10.00 - 19.00 and Saturday 1.4.2017 10.00 - 18.00
Vinohradská 157a, 13020 Prague 3, Czech republic
The entrance to the hotel Don Giovanni is located near the Radio Free Europe building and is marked by flags.
We are proud to announce another review of the loudspeaker system SON and that we got
a reward Achat Référence from the magazine Haute Fidélité – Merci
Zéro huit zéro - nous sommes à Paris, vous êtes les bienvenus !
THE LINCHPIN OF EUROPE’S HIGH-QUALITY CONSUMER ELECTRONICS
HIGH END® 2017: 18TH TO 21ST MAY 2017
The trade fair HIGH END Munich is Europe's largest special show for high-quality consumer electronics. More than 500 well-known national and international exhibitors will present the latest from the picture & sound technology at the HIGH END Messe München. The offer includes, among other things, tubes, signal processors, vinyl players and silently rotating hard disks, as well as all the technologies that convey the musical event pure and with the utmost precision into the living room. Various interesting lectures on the subject of picture & sound round out the range of the HIGH END Munich fair.
80939 München, Germany
18th to 21th of May 2017
Thursday 10am to 6pm
Friday 10am to 6pm
Saturday 10am to 6pm
Sunday 10am to 4pm
You’ll find us at ATRIUM4.2 room F231c (on top of the main entrance)
Wolf von Langa SON at Moscow Hi-End Show 2016
A short report from the magazine sixmoons (6moons) is also available here.
We are proud to have another review of our speaker SON from
Nikolai Kazantsev, AnalogSound.
31. Oktober um 22:52
Here is my new review of Wolf von Langa speakers.
Original Russian version: http://mag.soundex.ru/october2016/6/
Heart Over Mind: von Langa‘s SON
It’s no secret that, in the Russian market, Wolf von Langa loudspeaker systems are represented exclusively by the distributor Tchernov Audio. Long-term tests of Tchernov Audiocable products have produced the best reviews. That is why I enthusiastically accepted the invitation to check out the new loudspeakers and get a better understanding of audio systems manufacturing.
This time, I tested a newer Wolf von Langa model named Son. (Son is a style of music and dance, which originated in Cuba and became popular worldwide in the 1930s.) The loudspeakers were not small. The floor-standing unit was quite substantial, with each speaker weighing more than 80 pounds (40 kilograms). They have a very surprising design for modern loudspeakers. The minimal use of color is powerfully attractive, evoking the image of a white piano and a black coat.
There are 11-inch (29-centimeter) speakers with magnetization on this large audio system that has an old-school look. The speakers can easily be considered full-range. In addition, a passive radiator is placed on the back side.
The design is completed by a separate AMT tweeter in a transparent frame that is manufactured by Mundorf and perfected by Wolf von Langa. Not only is the design unorthodox, but it is also practical. It makes the orientation of tweeter output much easier. You have got to admit that it is not a common loudspeaker design.
Based on the technical characteristics – sensitivity of 96 dB/W/m – the assumption is that the speakers will do well, even with a low-power SE, not to mention more powerful amplifiers.
Moving from words to action, it is time to test the sound. Although we could go on discussing Son’s technical parameters and construction, we should remember that loudspeakers are meant for listening to music. The audio equipment merely helps convey the music to our hearts.
I brought a bunch of records with me, but it was not necessary. Tchernov Audio has an excellent collection of LP records that will not disappoint the most demanding music lover.
We started with an original 1956 Julie London record. Naturally, in mono. I almost couldn’t recognize my old, worn vinyl record; it sounded almost like it was in mint condition. A Miyajima mono cartridge worked wonders: It was as though London walked into the room and sang a couple of her greatest hits with her amazing, soulful voice. When you hear this, you understand clearly that the first degradation in audio quality is caused by stereo sound.
As you know, wind instruments are a serious test for an audio system. Bad-sounding saxophones are a common issue for the modern, high-end speakers. When it comes to saxophonists, Ben Webster and John Coltrane are so different, yet the sound of both of them playing was as close to reality as possible, causing a powerful release of endorphins among listeners.
Nina Simone’s record was prepared by the system owners, but it was exactly what was needed for a smooth transition to a stereo playback. It is difficult to put the performance of the system into words, so I urge you to listen to these two tracks in order to appreciate how it coped with the task so musically and delicately.
Possibly one the most challenging tests for an acoustic system is large symphonic compositions and concerts featuring keyboard instruments. Playback errors can destroy the fragile nature of orchestral music and ruin the piano sound.
Mozart's Piano Concerto No. 23, performed by Vladimir Horowitz – a Russian-born, American classical pianist and composer – with the Orchestra of La Scala, is a good choice for testing the system.
From the first notes, it was clear that Son is again at its best. Brilliant music, fantastic performance, and amazing playback – what else to wish for? Naturally, I knew that Horowitz was a supreme pianist before, but somehow, at this moment, his genius and mastery became so apparent to me. Check out the video and hear it for yourself.
It is common that speakers, which play the classics amazingly, cannot perform as well when it comes to rock music. The first press of Creedence Clearwater Revival, thoughtfully prepared by Tchernov Audio, proved the quality of these speakers. As the stylus slowly lowered onto the vinyl, the Moscow office instantly transformed into suburban California. I felt like a shaggy, barefooted hippie in ripped jeans. It even made me feel as skinny as when I was 19; carefree, and headed towards the bright and happy future along with my hippy companion.
At the end of the day, we listened to Alfred Brendel performing a Beethoven sonata. Alfred Brendel no longer performs, therefore we can only rely on the recordings to appreciate his incredible artistry and musicianship. Son did the job perfectly. One could experience the finest nuances of Brendel’s performance, as if it were live.
To conclude, I would like to say that, in my opinion, Wolf von Langa did what is almost impossible – Son’s acoustics managed to pull off a performance that even much more expensive systems struggle to achieve. It created a sense of complete immersion into the music, allowing the listener to travel in time and space. Suddenly, the best concert halls of the world welcome you to meet the greatest artists of the past century.
I could describe Son’s sound as deep, perfectly tuned, and of a rich timbre. The high resolution speakers allow you to hear everything present on the record.
The range of the sound is surprising for the relatively-modest size of the speakers. The sound of a symphonic orchestra shook the walls, consuming the listener with its diversity and grandeur. The speakers also perfectly convey the energetic nature of rock music. Becoming one with the music is guaranteed. In my opinion, this is the main task of audio equipment.
Are there any disadvantages with Son loudspeakers? Perhaps there are. Experts, with the help of professional equipment, could probably identify them. However, most audiophiles will definitely appreciate the incredible musicality of Son acoustic system, as well as the long-lasting communion with masterpieces of musical culture it represents.
Frequency response: 25 - 30,000 Hz.
Sensitivity: 96 dB / 1W / 1m
Impedance: 8 ohms nominal, minimum of 4 ohms
Dimensions: 404 x 874 x 330 mm
Weight: 42 kg
Company Website: WolfvonLanga.com
Cartridges: Miyajima Laboratory Zero (mono), Dynavector DRT XV-1t (stereo)
Tonearms: Schroeder Referenz SQ, Schroeder CB164 (282 mm)
Turntable: improved turntable on the basis of Garrard 501 (shale plinth)
Step-up MC amplifier: Tchernov AudioBlack Box-1
The tube phono stage: Tchernov AudioBlack Box-2
Pre-amplifier: an experimental model by Tchernov Audio
Power Amplifiers: pre-production samples monoblock byTchernov Audio
Speakers: Wolf von Langa Son
Cables: power cables Tchernov Cable Reference AC Power, interconnects Ultimate IC, speaker cables Ultimate SC
From left to right, the AUDIO FRAME X (ten) models can be seen here.
All main reproduction ranges work with our modern field coil technology.
The Heart of every AUDIO FRAME X model is our bass-midrange drive unit with flexible Thiele Small parameters from 0.7 to 0.1. The impedance needles show the extreme low resonance frequency, whereas the total moving mass including suspension, spider, voice coil, lead wires and vented dust cap weighs less than 48 grams. The BL value reaches nearly 40!, the DC resistance measures above 12 ohms and efficiency goes up to 2.6% per drive unit capable of reproduction of low notes without enclosure from 29 Hz up.
This is the most outstanding performer in the market regardless the price: the pick of the bunch,
die Königsdisziplin. Not the cone is the most important performer, the drive unit is.
Analog Forum Krefeld 2016
Im Raum Fastaudio demonstrierte Herr Fast die vier Lyra Tonabnehmersysteme DELOS, KLEOS, ETNA und ATLAS. Auf 3 identischen Dr. Feickert FIREBIRD Laufwerken, bestückt jeweils mit 2 Kuzma 4POINT Tonarmen, um gleiche Verhältnisse zu gewährleisten, schälte die „akustische Lupe“, unser Lautsprecher SON, feinste Unterschiede heraus.
Die Schallplatte wanderte zwischen den Laufwerken hin und her und die Tonarmkabel am Blue Amp MODEL 42/3 wurden umgesteckt. Mühelos konnte man die Spielweise nachvollziehen, deutlich war zu hören, wie die verschiedenen Lyra Abtaster mit der Emotionalität und dem Charakter der aufgelegte Musik umgingen. Ein toller Vergleich bei dem jeder deutlich hören und einschätzen lernen konnte welcher Abtaster am besten zu ihm passt.
Der Raum füllte sich immer mit Musik, ob Electronic, Jazz, Klassik oder Pop. Unser Lautsprecher SON war daran nicht unbeteiligt wie ich meine - und ich durfte mich am Sonntag persönlich davon überzeugen. Ihr Wolf von Langa.
Lyra Delos Kleos Etna Atlas, Kuzma 4Point, Dr. Feickert Analogue Firebird, Blue Amp model 42 MK III, Audiomat Solfège référence 20, WVL SON LIMITED